Choosing the repertoire is like the identity card of each choir. This choice is guided by aesthetic considerations as well as field choices (a 'generalist' repertoire or striclty monographic, with spectacular impact or unpublished, etc...).

Our preferences go to ancient music and baroque, and in parallel to twentieth-century music. This does not prevent us to make other intrusions, as well as gladly open brackets on repertoire for choir and orchestra.

Since in our work there is always a strong attention to textual content, the red line that joins pieces very differet among each other, for us, is first of all the sacred or profane compass of its subject, transverse to their historic period.